艺术小品

位于深圳的灵感于昆虫的竹子构筑物 / Casagrande Laboratory

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在SZHK双年展(SZHK Biennale)期间，这里被用作地下乐队、诗歌朗诵、讨论、卡拉ok场所，也被用作附近营地非法工人的休息室。这座建筑提供了一个阴凉，一个舞台和一个壁炉。双年展结束后，臭虫圆顶将成为中国农村非法劳工的非官方社交俱乐部。

The space is used during the SZHK Biennale for underground bands, poetry reading, discussions, karaoke and as a lounge for the illegal workers from the neighboring camp. The building offers a shade, a stage and a fireplace. After the Biennale the Bug Dome will act as an un-official social club for illegal workers from the Chinese countryside.

该建筑是脆弱的，灵活的和临时的，以满足地点的具体条件。它正在从废墟中生长。为了让自然介入，已经放弃了架构控制。脆弱的建筑是人性与自然的中介。建筑是设计者、建筑工人和当地知识的参与性规划的结果。

The building is weak, flexible and improvised to meet the site-specific conditions. It is growing from a ruin. The architectural control has been given up in order to let the nature step in. The weak architecture is a mediator between the human nature and nature. The construction is a result of participatory planning between the designers, construction workers and local knowledge.

这个“茧”是现代人逃离深圳市中心正在爆发的都市生活的一种微弱的退路。它是保护工业昆虫免受非自然因素影响的庇护所。

The cocoon is a weak retreat for the modern man to escape from the strength of the exploding urbanism in the heart of Shenzhen. It is a shelter to protect the industrial insects from the elements of un-nature.

当火越烧越旺，社会就会重新诞生。为了认识到事物都是一样的，人们不得不在一千年前自由地旅行。

When the fire is up a society is born again. One has to take the liberty to travel a thousand years back in order to realize that the things are the same.