Thankusir Neverland, China by Jingle Design
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“當我們面對一處帶有年代感的空間時，我們總會首先想到兩樣事情：尊重空間原有的氣質和保留空間中那些由時間打磨後沉澱下來的美感。”設計師周博&蔡雨洋說道，“這種美感無法在短期內靠人工雕飾出來，即使用最奢侈的材料也無法做到。”
“When we face a space with a sense of time, we always think of two things first: respecting the original temperament of the space and preserving the beauty of the space, which has been polished by time, ” said Designer Bo Zhou& Yuyang Cai， ”This aesthetic feeling can not be artificially sculpted in a short time, even with the most luxurious materials. ”
▼項目概覽，project overview
在修補、聯結、挖掘、推翻、重建一系列設計完成之後，這個隱藏於鬧市區僻靜一隅的三秋舍·夢幻島餐廳展現在市人面前，這個形狀似方盒子的建築體從院落中生長、穿插、疊加，混凝土材質的高雅灰色調的牆面斑駁而不衰敗，它靜靜地與這片場地通過美食產生了情感般的緊密聯結。
After a series of repairs, connections, excavations, overturns, and reconstructions, Thankusir restaurant, hidden in a quiet corner of the downtown area, was unveiled to the public. The box shaped building grows from the courtyard, intersperses and overlaps, while the elegant gray walls of concrete, mottled and undecayed, and it quietly creates an emotional bond with the site through the food.
▼建築外觀，exterior view
三秋舍·夢幻島的前身是一座廢棄的汽車修配廠，由一個帶有地下室的小樓，一個裙房，和幾處小面積室外空間組成，每個空間格局被牆體分割得瑣碎而雜亂，相互之間本並無聯繫。經過幾年的沉寂，改造後的廢棄汽車修配廠綻放出老建築獨有的魅力。
Thankusir Neverland, formerly an abandoned auto repair shop, it consists of a small building with a basement, a skirt building, and several small outdoor spaces, each of its space is divided by the wall into trivial and messy, and there's no connection between them . After several years of silence, the renovated abandoned automobile repair plant has blossomed the unique charm of the old buildings.
▼設計示意圖，diagram
開放共享：荒漠中的理想花園
Open and shared: An ideal garden in the desert
建築改造後拆除了大部分牆體，在屋頂打開不同尺寸的天窗，陽光灑進室內，建築回歸本身的方正格局和清爽面貌。取消南側所有面對居民樓的牆面窗，利用天窗採光，規避經營擾民的問題，同時百年曆史的清真寺院落風格被引入餐廳景觀。
整個項目面積龐大，隱蔽工程的改造和配套的硬件設施花費巨大，能夠利用在裝飾上的造價預算非常低。我們決定“利用建築本身的美感來做文章”，如此讓我們收穫了意外的驚喜。
After the renovation of the building, most of the walls were removed. Skylights of different sizes were opened on the roof. Sunlight poured into the interior, and the building returned to its square framework and fresh appearance. All the wall windows facing the residential building on the South side were cancelled, and skylights were used to avoid the problem of disturbing the residents, while the style of the century-old mosque compound was introduced into the restaurant landscape.
The whole project area is huge, the transformation of hidden works and supporting hardware facilities cost huge, can use the cost of decoration budget is very low. We decided to “take advantage of the beauty of the building itself”, which gave us an unexpected surprise.
▼共享休閒區，the shared lounge area
▼吧台區域，bar counter
呈“人”字型的三角型橫梁序列式排布，展現了建築空間的高挑與開放式的格局。打開天窗，不對裸露的水泥牆斷面做任何修飾，讓這種風格與原木桌椅的自然紋理的風格相互碰撞和對比。當熱烈的陽光照耀進來時，頃刻間馬來西亞的熱帶風光便顯現在眼前。整個空間穿插著很多大型闊葉植被，度假模式和聚餐派對情境即將開啟。
The triangular beam in the Chinese character “人” shape is arranged in a sequence, showing the tall and open pattern of the architectural space. Open the skylight and do not make any modifications to the exposed concrete wall section, so that this style collides and contrasts with the natural texture of the original wooden table and chair. When the warm sunshine comes in, suddenly the tropical scenery of Malaysia comes into view. The space is interspersed with large broadleaf vegetation, holiday mode and dinner party scene is about to start.
▼精釀共享餐吧，the shared dining area
▼“人”字型的三角型橫梁，the triangular beam
▼被天窗照亮的共享餐桌，the shared dining table illuminated by the skylight
▼用餐區細部，detailed view
破舊立新：混凝土在講故事
To break the old and build the new：Concrete tells a story
玻璃天井從樓頂直通地下酒吧，通過序列感的設計，使三層樓鏈接在一起，並將樓頂的陽光直接引入到底層區域與地下室，讓沉悶的地下室空間在視覺和感受上與外界產生更多的關聯。
The Glass Patio leads from the roof to the underground bar. Through the design of sense of sequence, the three floors are linked together, and the sunshine from the roof is directly introduced into the ground floor area and basement, so that the dull basement space has more visual and emotional connections with the outside world.
▼玻璃天井，the glass patio
設計師希望賦予它藝術博物館的空間氛圍，玻璃天井內的陶瓷器皿是食物的伙伴，溫潤而無聲的存在即是一種藝術魅力的展現形式。
Designers hope to give it the space atmosphere of an art museum. Ceramics in glass patio are partners of food. The presence of gentle and noiseless is an expression of artistic charm.
▼藝術博物館般的空間氛圍，a museum-like atmosphere
靜默的力量散發著無法在短期內靠人工去雕飾的美，即使是最奢侈的材料也無法呈現的，設計師在選材上更注重自然屬性，注重所用材質是否能與空間斑駁自然感和諧共生。
The power of silence radiates beauty that can not be carved by hand in a short period of time, even the most luxurious materials can not be presented. Designers pay more attention to natural properties in selecting materials Pay attention to the use of materials and space mottled natural sense of harmonious coexistence.
▼私密餐區，private dining area
▼材料與空間的斑駁自然感和諧共生，the material coexists with the quality of the space
▼私密餐區一角，a corner of the private area
地下實驗室：隱秘的B-ONE酒吧
Underground lab: THE HIDDEN BAR B-One
B-one酒吧位於小樓區域的地下室，入口隱蔽難尋，需要通過幽暗的樓洞穿到內院中，再由一處隱秘的入口下行，才得以尋見。尋著光源拾階而下，混凝土拱形通道古樸而神秘，一尊遠古石像極易讓人產生時空錯覺。
▼混凝土拱形通道，the concrete arch-shaped passageway
B-one bar is located in the basement of the small building, entrance hidden difficult to find, need to pass through the dark floor hole to the inner courtyard, and then by a secret entrance down, to be found. Tracing the light source, the concrete arch-shaped passageway is simple and mysterious. An ancient stone statue is easy to create the illusion of time and space.
▼B-ONE地下酒吧，B-one bar on the basement floor
▼陳列櫃，showcase
空間中原有的破舊物所沉澱出來的美感是值得尊重的，在選材上，更注重空間的斑駁自然感和諧共生。選用天然木材陰乾脫水，作為地板與天花板主材，與裸露的牆體完美融合。不做任何漆面與工藝處理的金屬板被鑄成入口處的大門，混凝土在空間中扮演著重要的角色。
The beauty of the original dilapidated objects in the space is worthy of respect. In the selection of materials, more attention is paid to the natural and harmonious symbiosis of space. Natural wood is dried as a main material for the floor and ceiling, perfectly blended with the exposed wall. Without any paint finish or process, the metal plates are cast into the entrance door, and the concrete plays an important role in the space.
▼酒吧休閒區，lounge area
▼天然木材與裸露的牆體完美融合，the natural wood was perfectly blended with the exposed wall
▼座位細部，seating area detailed view
“在商業設計過程中，設計師不僅要完成空間的美觀與功能，更要參與到整個商業業態的規劃之中。”設計師說道。改造後，空間之間獨立又互通，從任何一個空間進入，都可以步行到其他空間中去。動線設計讓整個項目的體驗更加完整，商業運營更經濟高效。
“In the process of commercial design, designers should not only complete the aesthetics and functions of the space, but also participate in the planning of the whole commercial industry, ” said the designer. After the transformation, the space is independent and interoperable, from any space into, you can walk to other space. The motion trend design makes the whole project experience more complete and business operation more economical and efficient.
▼空間之間獨立又互通，the space is independent and interoperable
▼party房入口，party room entrance
▼party房內部視角，party room interior view
設計師周博&蔡雨洋說：“當我們通過建築改造設計將空間打造成了我們想要的樣子之後，項目便有了靈魂。”
Designers Bo Zhou & Yuyang Cai said, “the project has a soul when we transform the space into the way we want it to be. ”
▼佈局示意，layout diagram
▼軸測示意，axon diagram
項目名稱：三秋舍·夢幻島
項目類型：餐廳
項目面積：2000平米
項目位置：中國瀋陽市
設計師：周博&蔡雨洋
設計公司：漿果設計
攝影師：牟星、星文、大白
Project name: Thankusir Neverland
Type of Project: Restaurant
Project Area: 2,000 sqm
Location: Shenyang, China
Designer: Bo Zhou& Yuyang Cai
Design firm: Jingle Design
Photographer: Xing Mu, Wen Xing, Bai Da
More：漿果設計（聯繫郵箱：21521735@qq.com）
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