滨水

苏黎世Tanzhaus舞蹈中心-改造滨河河岸

[ad_1]

该项目旨在重新激活河岸长廊，从而改造并重新定义该地的原有居住状况。通过这种方式，建筑被定义为了一个简单且极具层次感的空间，和谐地融入了岸边的斜坡。从外部环境看，几乎觉察不到建筑的存在。

▼项目概览，在建造新的舞蹈中心的同时改造利马特河的河岸空间，overview, constructing a new Tanzhaus and transforming the entire bank of the river Limmat ©Simon Menges

改造巧妙地强调了目标建筑群。通过将新建筑空间精确地置入场地环境，新旧建筑被巧妙地结合在了一起。建筑通过连续的主立面来处理其自身与周边环境的关系。这个主立面代表着一种基础设施，不仅象征着对周边现有元素的重新诠释，更是该地区工业化（如高架桥连续的模块化金属结构和纵向的桥墩等）的证明和体现。带有梯形形窗洞的墙体不仅在现有建筑的屋顶上创造出新的公共空间，更将河流沿岸不同高度的现有空间联系在了一起。

▼项目外观，连续的主立面呼应了桥梁的模块化金属结构，exterior view of the project, the continuous façade can be read as a reinterpretation of the continuous modular metal structures of the bridge ©Simon Menges

The transformation had sensitively addressed the listed building ensemble. By precisely incorporating the replacement new building into its environment, the project skilfully combines old and new. The building resolves the relationship with its surroundings through the definition of its main elevation. This consists in a sort of infrastructure, a continuous façade that can be read as a reinterpretation of existing surrounding elements, which are evidences of the industrial past of this area (i.e. the overpassing passages, the continuous modular metal structures of the bridge, the baths’ longitudinal piers.) An element that enables a new public space to be generated on its roof and that connects the existing itineraries at different levels that intertwine along its bank.

▼项目外观，建筑通过连续的主立面来处理其自身与周边环境的关系，exterior view, the building resolves the relationship with its surroundings through the definition of its main elevation ©Simon Menges

▼带有梯形形窗洞的墙体在现有建筑的屋顶上创造出新的公共空间，the main facade creates a new public space on its roof ©Simon Menges

通过转换传统正交的梁柱系统和规则矩形的门窗洞口，设计团队最终选择了梯形的形式。事实证明，这种特殊几何造型的重复出现和高性能混凝土的使用不仅塑造出了一个连续的立面，更在保护建筑的基础上赋予了其独一无二的特征。

The choice of the trapezoidal form is the result of a transformation of the traditional orthogonal system of pillars, beams and rectangular openings. Indeed, the repetition of this particular shape and the use of a performing insulating concrete allowed for a continuous structural façade, which, at the same time, protects and characterizes the building.

▼重复出现的梯形窗洞和高性能的混凝土塑造出了一个连续的立面，the repetition of trapezoidal openings and performing insulating concrete allow for a continuous façade ©Simon Menges

▼连续的外立面，窗洞上覆盖着植被，the continuous facade with vegetation covering part of its openings ©Simon Menges

统一的立面均衡地向河岸上的所有公共空间开放，将建筑门厅与室外空间联系在了一起，从而扩展并丰富了新的公共空间。除此之外，一系列梯形的开口不仅塑造出一个渗透感极强的立面，更控制了建筑室内空间的自然采光。最终，阳光透过立面和植被照进门厅，不仅营造出了独特的光影效果，更让门厅有了自己的特点。

▼一系列梯形的开口塑造出一个渗透感极强的立面，the geometry of the trapezoidal openings creates an extremely permeable façade ©Simon Menges

▼阳光透过立面和植被照进门厅，the natural light is introduced into the foyer through the facade and vegetation ©Simon Menges

▼奇妙的光影效果，the shadows ©Simon Menges

The uniform façade defines and evenly opens up to the entire public space along the river, connecting the outdoor space to the foyer, extending and enriching the new public space. The geometry of the trapezoidal openings simultaneously allow both for this extremely permeable façade and to control and shape the entry of the natural light inside the building. The resulting shadows given by the facade drawing and the vegetation become one of the main features of the foyer.

▼人造灯光透过渗透性极强的外立面，the artifical light shines through the permeable façade ©Simon Menges

本项目可在两个标高平面上起作用：上层是私人区域（如Tanzhaus办公室和后台空间等），下层是公共区域。这种空间划分创造出不同的入口流线，激活了建筑周围的交通，从而通过与利马特河的直接联系增强了其自身的公共属性。在这里，主门厅沿着整个建筑立面设置，可直接通向制作室和主要的多功能厅。得益于上下两层的主门厅，建筑室内可以享受到侧向来的自然光线。

▼项目分为上下两层，the programme is organized across two levels ©Simon Menges

▼主立面，上层退台创造出室外空间，the main facade, the terraced upper level creates public space ©Simon Menges

▼主立面近景，close view of the main facade ©Simon Menges

The programme is organized across two levels, separating private uses on the upper level from public uses on the lower one. This division allows for different accesses and activates the circulation around the building, reinforcing its public nature at that level in direct contact with the river Limmat. Here, the main foyer runs over the entire length of the façade and gives access to the production rooms and the main multifunctional hall. This space, which spans two storeys, is provided with daylight on the side. The upper level accommodates the Tanzhaus offices and backstage spaces.

▼专业排练兼表演空间，高侧窗采光，the professional space for rehearsals and performances with daylight on the side ©Simon Menges

▼排练兼表演空间，the professional space for rehearsals and performances ©Simon Menges

本项目位于苏黎世的一座新建的文化建筑中，反映了Tanzhaus作为瑞士最重要的当代舞蹈中心之一的重要性。

The project by Barozzi Veiga consists in a new cultural building for the city of Zürich, which reflects the importance of the Tanzhaus as one of the most significant centres for contemporary dance in Switzerland.

Full name: TANZHAUS ZÜRICH
Location: Zürich, Switzerland
Client: Eigentümerin Immobilien Stadt Zürich. Represented by Stadt Zürich, Amt für Hochbauten
Principal Architects: BAROZZI / VEIGA | Fabrizio Barozzi , Alberto Veiga
Design Team: Katrin Baumgarten, Verena Recla; Patrick Boner, Paola Calcavecchia, Raquel Corney, Marta Grządziel, Adrien Mans, Cristina Porta, Agnieszka Samsel, Ivanna Sanjuan, Malte Sunder-Plassmann, Diletta Trinari, Maria Ubach
Project manager: LeanCONSag | Dominik Schlatter
Structural engineer: Pöyry Schweiz AG
Services engineers: hps energieconsulting AG, Walter Salm, Meier & Partner AG Gerber + Partne, Haustechnik AG
Façade consultant: GKP Fassadenplanung AG
Building physics and Minergie consultant: Energiekonzepte AG
Stage Design: Tokyoblue GmbH
Acoustic consultant: Rocket Science GmbH
Landscape Architects: Müller Illien Landschaftsarchitekten GmbH
Signage: WBG AG | Weiersmüller Bosshard Grüninger
Usable floor area: 1.500 m2
Competition: 2014
Project: 2015 – 2018
Construction: 2016 – 2019
Budget: 14.398.000 CHF (aprox. 12.960.000 €)