艺术小品

以色列艺术教育庭院树屋 / Ifat Finkelman + Deborah Warschawski

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Ifat Finkelman和Deborah Warschawski是耶路撒冷貝扎勒藝術設計學院建築系的建築師和工作室大師。自2010年以來，他們就在各類建築和跨學科的項目上合作，包括耶路撒冷以色列博物館的展覽設計。

Ifat & Deborah are both architects and studio masters at the Department of Architecture at Bezalel Academy of Art and Design, Jerusalem.Since 2010 they are collaborating on various architectural and cross-interdisciplinary projects, including exhibition design for the Israel Museum, Jerusalem.

總平面圖 Master Plan

樹屋平面圖 Tree House Plan

這個庭院更新的項目是一個開放給使用者的方案。

The project – a renewal of the courtyard – combines a program open to interpretation by its users with a clearly defined context.

現有的松樹是項目的重點，也是設計理念的物質支柱。為了紀念童年記憶中的樹屋，這個小屋頂結構可以讓孩子們躲在上面看，它位於傾斜的樹幹上方，高出博物館周圍的環境。

The existing pine tree is the focus of the project, the physical anchor of the design concept. As a tribute to the childhood collective memory of a tree house, a small roofed structure where children can hide and over look at, is positioned high up the tilted trunk, raised above the meticulous surroundings of the museum.

除了其強烈的標誌性外觀，它還是一個連續折疊元素的頂點，允許各種情況發生。這種結構技術是2厘米的Ipea板固定在輕鋼骨架上，從上到下創造了一系列透明材料。

Along with its strong iconic appearance, it also functions as the peak of one continuous structural folded element allows various situations occur along. The structural technique- 2 cm Ipea boards fixed to a light steel skeleton – creates a range of transparencies from top to bottom.

當逐漸轉向地面時，元素的表面變成了遊樂場；用柔軟的EPDM橡膠表面覆蓋地形的坐靠元件。所有這些都小心地隱藏了地下基礎設施配置以及排布廣泛的樹根網絡。

While gradually transforms towards the ground, the element’s surface becomes a playground; sitting elements framing a topography covered with a soft EPDM rubber surface. All this carefully hides the underground infrastructure configuration as well as a widespread root system.